SONY UNVEILS A1 II WITH SERIOUS UPDATES!

Sony a1 II Gains ProRes RAW Support: A Significant Upgrade for Filmmakers

Sony’s flagship camera, the Sony a1 II, has received a noteworthy update that’s set to elevate its standing in the professional video market. The addition of ProRes RAW support marks a meaningful enhancement for filmmakers, and today, we’re breaking down what this means for users. Let’s explore the details.

ProRes RAW Arrives on the Sony a1 II

The headline feature: the Sony a1 II now supports ProRes RAW recording over HDMI when paired with Atomos recorders. This enables filmmakers to capture 4.3K ProRes RAW footage at up to 59.94 frames per second using compatible devices from Atomos’s Ninja and Shogun lines, including the Ninja V, V+, Ninja Ultra, Shogun Connect, Shogun, and Shogun Ultra. To unlock this capability, users will need to download the 11.14.00 firmware update, available directly from the Atomos website. Once installed, this update transforms the Sony a1 II into a formidable tool for professional video workflows. While the a1 II’s initial launch didn’t redefine the flagship category, this development adds a competitive edge that could sway videographers who demand high-quality output.

The Value of ProRes RAW for Professionals

What makes ProRes RAW worth noting? Developed by Apple, this compressed RAW codec combines the flexibility of traditional RAW video with the efficiency of ProRes, offering a practical solution for high-end cinematography. It delivers exceptional dynamic range and color depth while keeping file sizes manageable—a critical advantage for projects requiring HDR or extensive post-production work. Atomos has played a pivotal role in advancing this technology, enabling RAW capture on cameras like the Sony a1 II that lack internal RAW recording support. For a1 II users, this translates to superior image quality, greater latitude in editing, and a streamlined process for complex grading and compositing tasks. It’s a clear win for professionals seeking to maximize their footage’s potential.

Advantages and Limitations of ProRes RAW

As with any tool, ProRes RAW comes with strengths and trade-offs. Among its benefits, it outperforms standard compressed formats such as H.264 or H.265, providing enhanced image quality and greater control over variables like ISO, exposure, and white balance during post-production. Its efficient compression strikes a balance between quality and storage demands, and it integrates seamlessly with industry-standard software like Final Cut Pro and Adobe Premiere Pro. Additionally, its HDR compatibility aligns with modern production needs.

However, there are challenges to consider. Notably, DaVinci Resolve—a cornerstone of professional color grading—does not natively support ProRes RAW, requiring users to employ workarounds. The Sony a1 II also lacks internal ProRes RAW recording, necessitating an external recorder like the Atomos Ninja or Shogun, which adds to the gear footprint. While file sizes are smaller than those of traditional RAW formats, they can still strain storage and processing systems. This lack of Resolve support remains a significant drawback, fueling discussions in the industry—such as the ongoing comparison between ProRes RAW and Blackmagic RAW (BRAW), the latter being favored by Resolve users for its native integration.

Final Thoughts: A Step Forward for the Sony a1 II

The addition of ProRes RAW support marks a substantial upgrade for the Sony a1 II, enhancing its appeal to professional filmmakers. While it doesn’t reinvent the camera, it offers a practical boost when paired with an Atomos recorder, catering to those who prioritize flexibility and quality in their video work. Does this shift your perspective on the a1 II, or does it still fall short of groundbreaking? We’d love to hear your take—share your thoughts in the comments below and stay tuned for more insights into the latest filmmaking tools.

Netflix Friendly Camera Solutions - Puerto Rico

One streaming service to rule them all. Netflix is the undisputed King of Video-on-Demand (VOD), the first to break ground on its own studios creation of IP and winning prestigious awards including dozens of Academy Awards as far back as 2014.

Although many competitor have risen since then (looking at you, Mr. Bezos) no one compares to Netflix in terms of original content and global impact. Thanks, in part to this, Netflix has a very specific and considered requirement for its camera technology needs that no producer can afford to ignore.

Netflix Originals - the flourish of sound, that instantly familiar ident which could be compared to the Windows 95 chime in terms of memorability and adoption, the prelude to in house productions of the streaming giant. However, just like members only clubs there is a strict "dress code” in respect of camera specifications that the platform will carry and award the title “Netflix approved”.

Let’s take a deep dive.

Image credit: Netflix

“Netflix approved” means that cameras have the minimum specs required to ensure the expected quality of a Netflix Original. While it shouldn’t be your only guide when purchasing a camera, seeing Netflix’s approval as a feature on a certain model might be something to consider, especially since many cinema cameras are a serious investment.

The Devil is in the Details

With a myriad of camera options out there it can be daunting to decide which unit to invest in. Fortunately, Netflix publishes the key specifications it requires for a camera to gain its approval. However, Netflix also states that just because a camera meets the minimum requirements doesn’t mean it will be approved (make your mind up, Netflix!).

In short, Netflix takes a more holistic look at each camera, examining aspects such as dynamic range, form factor, workflow, and more.

In any case, here are the minimum requirements for approval.

• True UHD 4K sensor with a minimum of 3840 photosites across

• High-quality capture format, such as raw or an intra-frame compressed codec

• 16-bit linear or 10-bit log processing

• Capture transfer function (e.g., S-Log3, Canon Log 2)

• Capture color science (e.g., S-Gamut3.cine, RED Wide Gamut RGB)

• No looks or corrections baked into the original files

• Files maintain all metadata (i.e., tape name, timecode, frame rate, ISO, etc.)

Netflix also makes some optional, operational requests for using the cameras. These include:

• Daily black balancing of camera sensor

• Avoiding spanned clips (i.e., single takes spread out on multiple cards) -

• Extra resolution for anamorphic imaging

• Use of aspect ratios less than or equal to 2:1

Again, these are just the baseline specs and I could easily find a dozen cameras that appear to meet them that don’t make the cut. Netflix also doesn’t seem to consider features unlocked through optional third-party accessories, such as raw via an external recorder. That is a solid list of requirements if you are shopping for your next cinema camera. Adhering to Netflix’s conditions ensures your camera is up to spec for contemporary productions.

Why Being Netflix Approved Matters

Among the more obvious reasons is that Netflix serves as a third-party verification for a camera’s quality. If Netflix says it’s a good camera, it must be a good camera. This is supported by Netflix’s reputation for demanding high-quality original footage to create its own original content. And despite what you may think about any story, the movies and shows Netflix has created look good.

A second part of the equation is that many of these cameras are an investment for owners or operators. The last thing you want is to be close to snagging a job and then realize the equipment you use and are comfortable with isn’t going to cut it for a potential Netflix gig. If you are working with an independent production, Netflix approval helps futureproof the work so that if you are hoping for an acquisition, you are at least fulfilling the expectations of the distributor.

Finally, if you aren’t a super techie producer or cinematographer, having a basic list of solid cameras to choose from simplifies a part of the process. Instead of spending time researching all the different features of video cameras and codecs and sensors and aspect ratios, you can head over to Netflix and just select what makes sense for your production.

Should You Buy Only Netflix-Approved Cameras?

No. Netflix-approved is a good start, especially if you are a professional. However, there are tons of amazing cameras capable of producing images that are as good, if not better, than many on the list.

Netflix’s approval process assumes there will be some form of production happening and, therefore, demands certain capabilities that not everyone needs, like very specific metadata requirements. If you are working mostly for yourself or on small YouTube projects, you don’t need all those extras.

Image credit: Mario Anzouni/Reuters

Get to the point already

Ok, here are a few popular units approved by Netflix and popular at time of publication (December 2022)

• Canon EOS C70

• Sony FX6

• Sony FX9

• Panasonic S1H

• Sony FX3

• Arri Alexa Mini LF

• Blackmagic Ursa Mini Pro 4.6K G2

• RED Komodo 6K

Another simple reason not to worry about Netflix approval is if you are looking for a B camera. Sometimes, this may need to be a crash cam or another sort of weird form factor. It can be hard to find something that hits the Netflix requirements and the needs of the shoot. GoPros aren’t approved, for example, but many films still use them for an odd take or two. Netflix even allows limited use of unapproved cameras in these circumstances.

CereProds hold a variety of camera types and within its local network has access to a wide array of digital and film units for production. Contact us today and let’s discuss your next project.